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・ On the Track of Unknown Animals
・ On the Track or Off
・ On the Trail
・ On the Trail of Igor Rizzi
・ On the Trail of the Assassins
・ On the Trail of the Bremen Town Musicians
・ On the Trail of the Buffalo
・ On the Trail with Miss Snail Pail
・ On the Train
・ On the Transmigration of Souls
・ On the Trinity
・ On the Turn
・ On the Turning Away
・ On the Turntable
・ On the Turntable 2
On the Twentieth Century
・ On the Universe
・ On the Up
・ On the Verge
・ On the Verge (film)
・ On the Verge (play)
・ On the Verge (radio)
・ On the Verge (song)
・ On the Verge of Destruction 1992.1.7 Tokyo Dome Live
・ On the Verge of Destruction 1992.1.7 Tokyo Dome Live (album)
・ On the Verge of Destruction 1992.1.7 Tokyo Dome Live (video)
・ On the Verge of Something Wonderful
・ On the Verge of Tears
・ On the Wallaby Track
・ On the Warpath


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On the Twentieth Century : ウィキペディア英語版
On the Twentieth Century

''On the Twentieth Century'' is a musical with book and lyrics by Betty Comden and Adolph Green and music by Cy Coleman. Based partly on the 1930s film and play of the same name, the musical is part operetta, part farce and part screwball comedy. The story involves the behind-the-scenes relationship between Lily, a temperamental actress and Oscar, a bankrupt theatre producer. On a luxury train traveling from Chicago to New York in the 1920s, Oscar tries to cajole the glamorous Hollywood star into playing the lead in his new, but not-yet-written drama, and perhaps to rekindle their romance.
The musical ran on Broadway in 1978–1979 with success, showcasing Madeline Kahn and then launching the career of Judy Kaye. Several revivals followed in London and elsewhere, and a 2015 Broadway revival featured Kristin Chenoweth.
==Background==
Comden and Green based the musical on three works: the 1934 Howard Hawks film ''Twentieth Century''; the original 1932 play of the same name by Ben Hecht and Charles MacArthur; and Hecht's and MacArthur's inspiration, Charles Bruce Millholland's unproduced play about his experiences working for theater producer David Belasco, ''Napoleon of Broadway''.
Cy Coleman, when asked to compose the score, initially refused. "I didn't want to do twenties pastiche – there was too much of that around," he recalled. "But when I realized the main characters had these larger-than-life personalities, I thought – ah, comic opera! Even the tikka-tikka-tikka patter of a locomotive train has the rhythm of comic opera."〔Kantor and Maslon, pp. 350–51〕 Coleman agreed to write the music for the show and produced an operetta-style score reminiscent of the works of Sigmund Romberg and Rudolf Friml.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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